Beautiful apartments in the centre of Cagliari, with air conditioning, LED TV, parquet.

Located at the second floor of an iconic building in the centre of Cagliari, Dome B&B is an ideal starting point for exploring the city. It offers three rooms with en-suite bathroom and electronic key card access. In the building there is an elevator.

In the area there are plenty of restaurants, banks, pharmacies, and a supermarket open until midnight. Easy to reach from the bus and train station in Piazza Matteotti, Dome B&B will be also appreciated by shopping enthusiasts, as the best department stores are only a short walk away.

Granite sculptures, carved in 1989 by the Finnish artist Matti Kalevi Auvinen for the 3rd Granite and Stone Symposium and Sculture Exhibition in Buddusò.

Matti Kalevi Auvinen is a Finnish artist well known internationally and has also been a teacher of sculpture, 3-D Design and drawing.

In addition to his personal projects, he has been teaching stone sculpture at the Veneto Institute for Cultural Heritage in Venice since 2008.

This granite sculptural group was created on the occasion of the 3rd International Symposium of Sculpture on Buddusò in 1989 and is currently located at the Banco di Sardegna in Diaz Avenue.

Public transport company operating in Cagliari and in the surrounding municipalities of Quartu Sant'Elena, Monserrato, Quartucciu, Selargius, Elmas, Assemini and Decimomannu.

Tickets may be purchased at tobacconists, at newsstands and at CTM points.

 Annual pass must be purchased at CTM Point.

CTM Point in Piazza Matteotti is also equipped with a ticket vending machine available 24/7.

Tickets must be validated on the bus at the beginning of the journey.

If you can't stamp the ticket, you must write the day and the hour of departure on it.

Children under 6 travel free.

You must keep your ticket with you for the whole bus ride. You may be asked to show it to prove you have a validated ticket.

You can buy the ticket on board with a supplement of 0,50 €:

• from Monday to Friday, from 7am to 8 pm only at the terminus; from 8 pm to 7 am at any stop
• on Saturday, Sunday and holidays at any stop

BusFinder is the free application for Android, iOS and Windows Phone devices for your movements in the vast Cagliari.
With CTM BusFinder you can:
- Check the list of stops and the timetables in real time
- Calculate your route
- Find the closest stops and selling points
- Save your favorite stops
- Buy tickets by credit card
- Consult the list of your purchases
- Validate your ticket on the bus

The Crobu Art Gallery exhibits exhibitions and works of ancient and contemporary art, with particular attention to Sardinian masters of the twentieth century.

The history of the crypt reflects the one of the Confraternity of the Oration and Death, also called Confraternity of Santo Sepolcro, whose members buried the corpses of the poor in this subterranean area.
Its entrance is a trapdoor located in the middle of the nave; the area consists of three barrel-vaulted rooms with a tomb probably destined to an illustrious man. On the walls, the visitor can see various frescoes; the most relevant painting portrays the Death as a skeleton wrapped in an ermine mantle and holding a scythe in a hand. On the blade, the visitor can read the Latin words Nemini parco (I spare no one).

Throughout history the crypt has had different uses: in the late-Punic Period it was probably a quarry of limestone blocks; subsequently it became a place of worship; it was later re-used as an amphoras storage until the first century AD; then it was abandoned for twelve centuries, before being re-used as a place of worship. There was another period of neglect, caused by the increasing success of the nearby new churches of St. Anna and St. Francesco. At the beginning of the sixteenth century it was rediscovered and cleaned again. The crypt consists of a large central room connected to the outside by two staircases carved into the rock. The walls were decorated with paintings, of which it is now visible that of St. John the Baptist with his right hand in blessing, dated to the thirteenth century. On the main altar is placed the marble statue of Santa Restituta, while on the minor altar were the simulacrums of the Saints Giusta, Giustina and Enedina.

Following the finding of the relics in 1614, the Bishop of Cagliari, Francisco Desquivel, ordered some embellishment works: the raising of the altar and the creation of three recesses, in the central one there were the relics of the four saints and the statue of Restituta; and in both sides, probably, there were the statues of Eusebio, Bishop of Vercelli, and abbess Eusebia, that were, according to tradition, the children of Santa Restituta. On the west side there is another altar placed on an existing cistern and bell. On the same side, there is also a space called Schola Sanctae Restitutae, which is the place where, according to tradition, the saint would have given lessons to the children of the neighborhood. During the Second World War, the crypt was re-used by Cagliaritani people as a shelter; the saint's relics were hidden in the church of St. Anne to protect them from bombing. They lay abandoned until the rediscovery in 1997, in a seventeenth-century wooden urn, covered with fabric and bearing a scroll that identifies them as relics of Santa Restituta.

The crypt is actually what has come to us from the church and from the convent of the Augustinians; here the tradition identifies the place where they were kept, from 504 to 722 d. C., the mortal remains of St. Augustine, who came to Cagliari with the arrival of Fulgenzio di Ruspe and other bishops from North Africa.

The cave, in all probability, already used in Roman times, became a place of worship and crypt of a Gothic style church built in the fifteenth century, with an adjoining convent dedicated to the saint. In the second half of the sixteenth century, both the church and the convent were demolished to allow the works ordered by Philip II of Spain, for the renovation of the city walls. The King commissioned the construction of the new temple and the new convent, both erected in Marina district.

Of the ancient church remains only a small chapel, above the crypt. At the end of the nineteenth century the chapel was demolished to make room for Palazzo Accardo and only the ancient crypt remained.

Inside you can admire a marble altar in classical style that, by the will of Elena Brondo, marquise from Villacidro, was erected in honor of the place where the body of the saint was kept. In a niche there is a statue that depicts him; the frontal is also visible with a low relief depicting Saint Augustine between two angels; the inscription concerns the erection's date of the altar. At its back can be found the cavity which, according to tradition, contained the relics of the saint; the small water source here, was once considered miraculous.