Open BB is a quiet, bright and panoramic Bed and Breakfast situated at the last floor (8th) in a building in Cagliari downtown. (a 20 minutes’ bus ride from the airport and the Poetto beach).

The area is very well served by city buses. Within walking distance you’ll find a post office, banks, the shopping area, restaurants, pubs and cafés and Piazza Yenne, meeting point and core of the city nightlife.

We offer two double rooms. There is a beautiful panoramic view from the place where the breakfast is served, and you’ll have free access to the terrace. The salon, heart of the house is everytime ready to host you in its comfortable sofas at summer day o working day end.

The stay include, Italian breakfast, daily cleaning of the room, linen and towels. Frigo, microwave horn, cofee machine, internet access and WIFI connection.

During Seventies along Via Schiavazzi a new area was built next to Borgo Sant'Elia, not far from the namesake Stadium.

The Sant'Elia district, the southernmost of the city, extends close to a marshy area, near the homonymous lighthouse. In the past it was the ancient fishing village. Since the seventies, the area has undergone an urban development process that has led to the construction of new popular housing, the Favero complex, consisting of fourteen blocks placed around three squares. The stadium was also built to replace the old Amsicora one.

Our b&b is situated in Cagliari historical district, right in the heart of Stampace's neighborhood and its monuments.

The b&b is located next to Piazza Yenne Square, the ideal staring point for the city sightseeing tour, and a visit to its cultural and touristic locations.
The square lies in the center of Cagliari's most important shopping area, and it's surrended by suggestive narrow streets filled with craftman's shops, restaurants, pizzerias, ice-cream parlours, bookstores, churches and nightspots.

The area is well served by public (buses) and private (taxis) transportation; the P line bus stop to the Poetto Beach is within walking distance from the square and the b&b.

On May 1st. the b&b balconies are excellent spots to watch Sardinia's most famous festival: the Sagra of Saint Efisio.

Our rooms, recently renewed, are finely furnished and decorated in the typical Sardinian style. All rooms have private bathroom, air-conditioning, satellite tv, safe, and an independent entrance.
Smoking is not allowed.

"Nell’Azzurro" is a guest house in the centre of Cagliari. It is located in an elegant building in the historic San Benedetto district.

The name has important origins: it comes from the first collection of novels by the Sardinian writer Grazia Deledda. Therefore the four cozy rooms are named after the famous works by the artist, which won the Nobel Prize in 1926.

An experience in the experience.

The guest house is easy to reach on foot or by bus: it is located in a strategic area of ​​the town, a few metres from the famous and lively San Benedetto market, the historic center, the Opera House and the main shopping streets.

Nell’Azzurro is the only guest house in the center of Cagliari where you can combine literature, music, gastronomy and culture ...

We look forward to having you as our guest.

Located in the hearth of the city, only a few steps away from the main shopping streets and tourist attractions,  the hotel offers a warm and timeless athmosphere.

Hotel guests can visit Cagliari's historic centre, museums and cultural sites by foot and stroll along the picturesque alleys that are packed with the best and most renowned local restaurants and shops.

Cagliari's popular beach, Poetto, is only 8km from the hotel.

Tuvixeddu is the most ancient and representative burial area of the city, and can be considered the only visible evidence of Karaly, the Phoenician-Punic settlement in the Gulf of the Angels.

Several archeological studies have testified a continuity in using and in attending the area from Prehistory to the present day, providing a large number of finds: tombs and grave goods, wall paintings, literature and popular anecdotes. Clandestine excavations, costruction works and hasty surveys, however, have caused a loss of some essential data and informations that makes quite difficult to reconstruct the complete history of the site.
The discovery of flint and obsidian artifacts, dating back to the 6th and 5th millenium BC and found in the area between the lagoon of Santa Gilla and the hill of Tuvixeddu, proves the human presence since the Neolithic Age.
The Phoenician-Punic necropolis, the largest in the Mediterranean basin, developed between the 6th  and 3rd century BC, through the excavation of the limestone rock to create burials, mainly well tombs, where the inhumated corpses where buried at a depth varying between 8 and 3 metres. The great archaeological relevance of the necropolis of Tuvixeddu is given also by the presence of wall paintings of an Northern African matrix, quite rare throughout the Punic world. The paintings, dating back to the 4th - 3rd century BC, show decorative floral patterns such as friezes of lotus flowers and palms, but also snakes, gorgons and geometric symbols. Particularly noteworthy are the Tomb of Sid, where the pictorial representation shows a significant similarity to the Sardinian- Punic deity of the same name, worshipped in the Temple of Antas, and the Tomb of the Uraeus, embellished by a refined pictorial frieze in which stands out the figure of the winged cobra snake.
In the following centuries, the necropolis was further expanded at the foot of the hill, where the Romans dug burial chambers and pits. There are also monumental tombs belonging to famous people .
In modern times, particularly during the 19th century, the area was used for industrial and residential purposes, as it is testified by the system of bourgeois villas surrounding the hill Tuvixeddu and the necropolis, like the beautiful Art Nouveau residence Villa Mulas (formerly Villa Massa), dating back to the early 20th century.

The Italian Railways Museum, located into the central train station in via Sassari, traces through several examples the most important steps in the history of railways in Sardinia. The original purpose was to conserve the testimony of industrial archeology preserved to nowdays.

The business began in the second part of 19th century, carring out the project of the engineer Benjamin Piercy, which led to the construction of 400 km of standard gauge network , to which were added the so-called "complementary" narrow gauge.

The museum , which collects several testimonies of Sardinian history of the railways , exhibits various objects as vintage photographs , a telegraph of the Real Railways, machineries, a working model of the ferry Gennargentu , lamps, clocks and rail instruments, but the most important piece is probably a living from the Sardinian Royal Train , very characteristic , since it has low height chairs made specifically for the stature of King Vittorio Emanuele III.

Opened in 1999 , the museum testifies the identity of the citizens of Cagliari of Genoese origin . In fact , it is located near the church dedicated to the patron saints of Genoa, George and Catherine, built at the expense of Archconfraternity , after the destruction of the historic one during the bombing in 1943. The ancient church's liturgical objects , recovered from the ruins thanks to the hands of the confraternity's members , are now preserved and exhibited in the museum. Among the most valuable pieces we find : the "Madonna of the city" , a work of seventeenth-century Genoese school ; " Christ and Mary offer the rosary to the Dominican monks " by Giovanni Bernardino Azzolin; "Deposition of Christ," by Gioacchino Asseretos ; the wooden group of processional case of the " Martyrdom of St. Catherine ," by Giuseppe Anfosso ; the silver and golden-copper monstrance of the '700 and the chasuble with the effigy of Saints George and Catherine and Genoa's coat of arms. The confraternity also preserves a rich archive containing documents from the sixteenth century , included the historic statute written in Italian vernacular.

The museum shows the history of the Parish of St. Eulalia, one of the most traditional in Cagliari and in Marina district, where it is located.

In its exhibition halls houses a wide collection of wooden paintings, silverware, vestments and a historical archive.

Among the paintings we report the "Ecce Homo" (double-sided oil on canvas), depicting Jesus scourged, attributed to John Bilevelt, a painter of Flemish origin of the first half of the 17th century. Remarkable, also, the Madonna with Child, a 14th century table of Tuscan school.

Among the wooden works, as well as artefacts of 18th century Sardinian anonymous carvers and Neapolitan workshops, deserves to be mentioned "Our Lady of the Forsaken" (last decades of the '500).

The hall of silver gathers lamps, crosses, chalices, monstrance and ciborium commissioned by the Congregation of the Blessed Sacrament, some in baroque style from Liguria and Piedmont, while others produced in Sardinian workshops.

Rare vestments, belonged to popes and archbishops, are shown in apposite display cases and cabinets. Donated by noble families and congregations, they are rich in symbolism and references to sacred history and coats of arms. Noteworthy is "The Planet of Passion", date back to the middle of the '600 and attributable to some embroiders from Liguria, describing Jesus in two moments: in prayer in the Garden of Gethsemane and into the Praetorium.

The archive consists of the parish documentation and funds from the arch-confraternities of Holy Sacrament of the Holy Sepulchre and St. Lucia. It preserves scrolls, books, records and papers, dating from the first half of the 500 until the first decades of the 900, which testify the work of churches and congregations in the religious, economic and social field, and their relations with the inhabitants of Marina district.

From the museum it's possible to reach underground archaeological area can be visited with the same ticket.

The museum, located near Bonaria's shrine and the convent of Mercedari's order, contains the testimonies of the ancient history of Bonaria hill and the faithfuls' devotion to Our Lady of sailors. The exhibition space consists of three rooms and the cloister corridor.

Corridor: In the corridor are exposed votive pictures (XVIII- XIX century) and various other votive offerings including thousands of silver hearts and the wooden box that contained the statue of the Madonna.

First room: in the first room, there are some archeological evidences of the Hill, which was inhabited since Nuragic period. It was the site of a late- Punic and Roman necropolis .

Second room: in the second room are exposed several models of ships (about 150 ) of all ages, a silver anchor offered by Queen Margaret in 1899 as thanksgiving for the success of the polar expedition of his nephew, Luigi degli Abruzzi and some mummies from the noble Spanish family of Alagon, died because of the plague in 1605, which surviving among the limestone rock under the chancel of the sanctuary where they had been buried.

Third room : in the third room there is the treasure, consisting of precious decors, votive offerings donated by kings , such as gold crowns of Vittorio Emanuele I and Maria Theresa, by popes and other famous people. Several ex-votos as weapons, chains and ostrich eggs (a symbol of resurrection), were donated by the slaves, freed by Mercedars, actively engaged in the work of redemption.