A unique place that revisits the idea of comfort and makes it contemporary. A hotel that adapts to your business commitments or your holiday desires and offers you all the services you need. Its strategic location guarantees access to the buzzing historical center of the city a few minutes away.

The 72 rooms of Palazzo Doglio range from intimate to large suites, all feature a modern décor that combines classic details such as the precious Carrara marble with elements of contemporary design.

Whether it’s a business or leisure trip, Palazzo Doglio has tailor-made services perfect for you. Unplug with a spa treatment, take a dip in the pool or a sauna. Treat yourself to an exotic lunch or a gourmet dinner, explore Cagliari and Sardinia and discover the events around you. Organize your own private event with us: we can host up to 1000 people.

The Palace of Justice in Cagliari occupies the eastern side of a large area on a slope that forms Piazza Repubblica. The New Lawcourt had the aim to replace the obsolete office buildings located in the district of Castello.

Around the 30s some suitable places were indicated as ideal location to house the new offices of justice, as Viale Trieste for example, which at the time was the heart of Cagliari. The initial idea to build the palace in those places was quickly abandoned in favour of Monte Urpinu area, certainly less chaotic than the first one. In 1933, the Municipality published a public competition that was won by the Engineer Domenico Dettori and its project. The new courthouse was inaugurated in 1938 after the conclusion of the façade and two side bodies. In the eighties and nineties the building was completed with the construction of the new wing in front of Via Vidal, which gradually underwent further changes during the following years by the Civil Engineer Department. The monumental building, built with the stone of Serrenti, is marked by vertical columns that circumscribe the three levels of openings. The central part of the building is characterized by a portico supported by pillars and columns, complemented by an inscription bearing the Latin motto "Iustitia".

The Antico Palazzo di Città has been Cagliari Town Hall since the Middle Ages until the beginning of the XX century. It is located at Piazza Palazzo, in Castello district.

The Former Town Hall is a historic building of Cagliari, the town hall from the Middle Ages to the early years of the twentieth century, when, during a City Council meeting chaired by Mayor Ottone Bacaredda, on December 14, 1896, the transfer of the Town Hall to the new site, yet to be built on the via Roma, in front of the port, was decreed.

The building dates back to the XIV century and it was restored in the eighteenth century, according to the precepts of the Piedmontese Baroque style.

The building is on two levels, plus a lower ground floor.

On the main façade opens an elegant arched portal with the City's coat of arms above and a plaque commemorating the stay, in 1535, of Emperor Charles V.

The façade in via Canelles, which overlooks the piazza Carlo Alberto, is elegantly elaborate. An epigraph remembers the year when the building was renovated (1787) and the names of the five council members who, along with fifty jurors and a vicar, were responsible for the Castle's administration.

The inner rooms housed many works, among which some paintings by Marghinotti and the precious “Councillors' Altarpiece” by Pietro Cavaro, that were transferred to the new Town Hall in via Roma.

On the upper floor some classrooms for primary schools' pupils were arranged. The first floor housed the Conservatory of Music “Pier Luigi da Palestrina”, created by the lawyer Gavino Dessì Deliperi, until 1970, when it was moved to its new and current headquarters of Via Bacaredda.

After years of neglect, following careful restoration works, the building was returned to citizenship.

The building hosts temporary exhibitions.

The name comes from the "sessions" during which the Spanish viceroys listened to the complaints and petitions of prisoners confined inside San Pancrazio's Tower.

The pink structure built on two floors raised on a high base, in the centre of which San Pancrazio Gate, also known as Della Zecca opens up, connecting the two adjacent squares, Piazza Indipendenza and Piazza Arsenale. The building, dated back to the beginning of the seventeenth century, originally had only a level, but in 1825 it was subjected to important changes in order to elevate the structure. At the end of the nineteenth century, the prison was transferred to Buon Cammino, and the buildings adjacent to San Pancrazio’s Tower were abandoned or used for other purposes. For many years in the twentieth century it housed the collection of the National Art Gallery of Cagliari.

The building is located on a slope behind Buoncammino's hill. Its erection was subsidized by the Superintendency of Public Works of Sardinia.

The building was designed in 1926 by the engineer Angelo Binaghi. The construction works lasted until 1939. The building has an octagonal shape and the entrance hall, accessible through a flight of stairs, is located on the shorter side. The building is characterized by ashlar walls next to paired semi columns, circumscribing the three entrances. The three levels' façade is characterized by its protrusions and by the arched windows decorated with decorative motifs, such as shields and crests.

The palace of Postal and Telegraph services, built between 1926 and 1932, is situated at Piazza del Carmine in a area between via Maddalena and vico Sassari.

The building stands on several levels including the mezzanine floor, where the offices open to the public are located, and the two upper floors for administrative offices. The building is characterized by a central body delimited by two prominent side wings, also visible in the pillars that vertically outline the entire building. In the side wings the aligned windows are completely different on each floor, while in the central body, an atrium(consisting of three large arched openings that allow the access to the building) supported by four Doric columns dominates the entrance's staircase. The building is completed by a protruding cornice with a parapet and the central top aligned with the atrium.

This impressive building is located at the corner of Via Roma and Largo Carlo Felice, in a perfectly symmetrical position to the Town Hall.

The construction works started in 1925 and ended five years later, making it one of the most manifold works of all the buildings under the arcades that follow one another along the Via Roma. The building is structured onto several floors, separated from each other with frames. Above the cornice, next to the three main openings placed in the middle, a tympanum is visible, which is unique compared to all the adjacent buildings. The building is completed by Neo-Mannerist style decorations.

The building located at the south-west side of Piazza del Carmine, housed the Superintendency of Public Works.

The building was inaugurated in 1927. On the third floor, it is possible to admire four works made by the master Filippo Figari: "The Farmyard", "The Church", "The House" and "The Village"; realised between 1928 and 1929, they represent typical Sardinian life scenes.

The regional council of Sardinia is located in Via Roma. It was opened in December 1988.

The Regional Council consists of three buildings: the first, in front of Via Roma, is structured on six floors with the offices inside, the second overlooks Via Cavour and is the seat of the Council Groups and the Library, and the third, the Assembly room, located between the first two palaces. A distinctive feature of the building is the use of granite for the paving. Under the arcades of the Regional building complex it is possible to admire the sculptures of the artist Costantino Nivola and the drawings made by Salvatore Fancello, all having the same subject, Sardinia and its people.

The building, erected in mid-nineteenth century, is situated at Via Genovesi near the Brondo Zapata Palace. It takes its name from the De Candia family who owned it until the end of the XIX century.

At the end of the nineteenth century the building was taken over by Muntoni family that held the property until the fifties, when they sold it to the Inserra family, still owner of the building. The Neoclassical front is on two levels and it's characterized by the floral decorations visible in the lintel of the entrance and in the lunette of the windows in the first floor. These open onto the Via Genovesi with wrought iron railings balconies that differentiate them from the second floor's windows without balconies or special decorations. The entrance hall's barrel vault and the frescoes present in the two-storey rooms are superbly manufactured.