Le Salon de Musique returns in Cagliari with a series of concerts featuring classical music, contemporary music, and chamber theater, conceived and directed by the pianist Irma Toudjian and organized by the "Giuseppe Siotto" Foundation.
Four events ranging from musical theater to oriental sounds, as well as explorations into avant-garde music and some great masterpieces of Romanticism.
"10,958 - Chronicle of an Accelerated Extinction".
The actresses Cinzia Baccinelli, Vittoria Nicita, and Anna-Lou Toudjian accompanied by live music performed by Arnaldo Pontis, present in the form of a reading, the play of the same name that has been premiered last year in Bologna. An intertwining of stories, between past and present, in which three women reveal the difficulty of glimpsing and imagining an alternative future.
The pianist Georges Daccache on stage with “Ô Féminin. Musical Inspirations from Lebanon”, a unique project entirely dedicated to the works of Lebanese female composers of yesterday and today: Violaine Prince, Mathilde Hage, Mona Ahdab, Rosa Guraeib, up to Irma Toudjian, Bushra El Turk, Rita Ghosn. An evening that confirms Lebanon as a bridge between East and West.
The third event will feature Arturo Stàlteri, an acclaimed pianist, composer, and historic voice of Rai Radio 3. On this occasion, Stàlteri will offer a concert titled “Celestial Awakening” named after his upcoming album, which will include not only pieces composed by him but also scores written by Philip Glass, Wim Mertens, and even Franco Battiato, who in 2004 invited Stàlteri, as a host and musician, to his first television program, “Bitte, keine Réclame.”
The closing event of Le Salon de Musique is entrusted to the duo composed of Fabio Mureddu (cello) and Michele Nurchis (piano) with "Romantic Chiaroscuros". The program pairs the Cello Sonata in G minor, Op. 65 by Frédérik Chopin with the Sonata in A major, FWV 8 by César Franck, two masterpieces of the second half of the nineteenth century that, although born in different cultural contexts, share an idea of the sonata as a space for intimate and profound dialogue between instruments.
Your review will be visible after approval by the editors
To post a review you must be an authenticated user.
Log in with Social Login
